A cronopio is a type of fictional person appearing in works by Argentine writer Julio Cortazar . Together with famas (literally fames) and esperanzas, (hopes) cronopios are the subject of several short stories in his 1962 book Historias de cronopios y de famas, and Cortazar continued to write about cronopios, famas, and esperanzas in other texts through the 1960s.
Cortazar first used the word cronopio in a 1952 article published in Buenos Aires Literaria reviewing a Louis Armstrong concert given in November of that year in the Theatre des Champs-Elysees in Paris. The article was entitled Louis, Enormisimo Cronopio . Cortazar would later describe in various interviews how the word cronopio first came to him in that same theater some time before this concert in the form of an imaginary vision of small green globes floating around the semi-deserted theater.
In his stories Cortazar describes few physical features of cronopios. He does refer to them as "those greenish, frizzly, wet objects," but this description is surely mostly metaphoric. His stories demonstrate aspects of cronopios' personalities, habits, and inclinations. In general, cronopios are depicted as naive and idealistic, disorganized, unconventional, and sensitive creatures, who stand in contrast or opposition to famas and esperanzas .
References to cronopios in Cortazar's work occur in 20 short sketches that make up the last section of Historias de Cronopios y de Famas as well as in his "collage books," La vuelta al dia en ochenta mundos and Ultimo Round, which were collected in a French edition he considered definitive. Some literary critics consider Cortazar's cronopios stories as lesser works compared to other of the author's novels and short stories. Others have looked for hidden metaphysical meanings in these stories or for a universal taxonomy of human beings. Cortazar himself described these stories as a sort of "game" and asserted that writing them gave him great joy.
The term cronopio eventually became a kind of honorific, applied by Cortazar (and others) to friends, as in the dedication to the English-language edition of [[62: A Model Kit]]: "This novel and this translation are dedicated to Cronopio Paul Blackburn ..." (Blackburn translated several of Cortazar's early stories under the title The End of the Game.)
Cortazar has sometimes been called the Grandisimo Cronopio or the Cronopio Mayor by his admirers.
Chilean artist Eva Holz has produced several paintings inspired and named after these fantastic creatures.
Historias de Cronopios y de Famas (Spanish)
English translation of a story from Around the Day in Eighty Worlds (one of the main cronopian books)
This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article Cronopio