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The Holy Girl
The Holy Girl (2004) is an Argentine, Spanish, and Italian drama film, directed by Lucrecia Martel. The picture was executive produced by Pedro Almodovar, Agustin Almodovar, and Esther Garcia. It was produced by Lita Stantic. La nina santa at the Internet Movie Database.
The motion picture features Mercedes Moran, Maria Alche, Carlos Belloso, Alejandro Urdapilleta, Julieta Zylberberg, among others.
Plot
The film takes place in the small town of La Cienaga, at the Hotel Termas, a dilapidated Argentine hotel, during a medical conference.
Two young teenage girls, Amalia (Maria Alche) and her best friend Josefina (Julieta Zylberberg), begin to explore their new sexuality and, at the same time, have Catholic religious passion.
Amalia lives with her attractive divorced mother (Mercedes Moran), who owns the hotel, and her uncle Freddy (Alejandro Urdapilleta).
During this time, in Amalia's mind, spiritual and sexual impulses are seeming to converge.
One day, in the midst of a large crowd watching the performance of a musician playing the theremin, Dr. Jano (Carlos Belloso), a participant in the conference and hotel guest, rubs up sexually against Amalia. She is upset but takes his inappropriate action as a sign that her Cathiloc faith has given her a mission: to save Dr. Jano from such inappropriate behavior.
Afterward, the object of Amelia's desire becomes the married middle-aged doctor and she begins to spy on him.
Amalia's story is partly about an adolescent girl's discovery of her sexual vulnerability and the sexual power she possesses.
Background
The screenplay of the film was written by director Lucrecia Martel.
The picture while not exactly autobiographical was based on Martel's memories. Martel said, "The film isn't strictly autobiographical, but what I put in it is my personal experience in life, my memories. When I was in my teens, I was a very religious person. I thought I had a special relationship with God, or anything that was up there. Now, I don't believe in miracles, but I do believe in the emotion you feel in front of a miracle - the emotion of something unexpected revealed to you." Telegraph. Film review, January 25, 2005.
As part of the way she uses the camera the film has few establishing shots or transition shots because she makes the case it physically separates a space from its moment in the film. Anderson, Jeffrey M. Combustible Celluloid, "The Nature of Water," film review and interview with Martel, April 22, 2005.
Filming locationThe film was shot entirely in Salta, in the Salta Province, Argentina. The director/screenwriter was born in Salta.
Cast
Mercedes Moran as Helena
Maria Alche as Amalia
Carlos Belloso as Dr. Jano
Alejandro Urdapilleta as Freddy
Julieta Zylberberg as Josefina
Mia Maestro as Ines
Marta Lubos as Mirta
Arturo Goetz as Dr. Vesalio
Alejo Mango as Dr. Cuesta
Monica Villa as Madre de Josefina
Leandro Stivelman as Julian
Manuel Schaller as Thermin player
Distribution
The film first opened in Argentina on May 6, 2004. It was selected for competition and featured internationally at the Cannes Film Festival on May 16, 2004.
The film was also shown at various film festivals, including: the Karlovy Vary Film Festival, the Toronto Film Festival, the Helsinki International Film Festival, the London Film Festival, the Hong Kong International Film Festival, and the Reykjavik International Film Festival.
In the United States it was presented at the New York Film Festival on October 10, 2004, and the Seattle International Film Festival on May 20, 2005. It opened on a limited basis in the USA on April 29, 2005.
Critical reception
A.O. Scott, film critic for The New York Times, called the film an "elusive, feverish and altogether amazing second feature..." He also liked Martel's artistic directorial approach to films, and wrote, "Her visual style is similarly oblique, as she frames her characters through half-opened doors, at odd angles and in asymmetrical close-ups. To a degree that is sometimes disorienting, Ms. Martel explores the mysteries of the senses. They are our instruments for knowing ourselves, each other and the world, but they also mislead us, bringing pain, pleasure and confusion in equal measure." Scott, A.O. The New York Times, "The Stirrings of Sensuality for a Pilgrim on the Road," film review, October 9, 2004.
Kevin Thomas, critic for the Los Angeles Times, wrote, "[the film] reveals the style, insight and confidence that are the marks of a major director." He also said of director Martel, "[She's] a subtle artist and a sharp observer, Martel manages a large cast with an ease that matches her skill at storytelling, within which psychological insight and social comment flow easily and implicitly." Thomas, Kevin. Los Angeles Times, film review, May 13, 2005.
Film critic Ruth Stein also credits director Martel for capturing the mood of the film, and wrote, "Martel is especially good at capturing a claustrophobic environment, and she wisely leaves ambiguous the question of the doctor's complicity in Amalia's frenzied state. He fails to recognize her when she starts stalking him -- an indication of the randomness of the act done to the accompaniment of a theremin." Stein, Ruth. San Francisco Chronicle, film review, May 13, 2005.
Awards
Wins
Clarin Entertainment Awards: Clarin Award; Best Director, Lucrecia Martel; Best New FIlm Actress, Julieta Zylberberg; 2004.
Sao Paulo International Film Festival: Critics Award, Honorable Mention, Lucrecia Martel; 2004.
Nominations
Cannes Film Festival: Golden Palm, Lucrecia Martel; 2004.
Argentine Film Critics Association Awards: Silver Condor; Best Cinematography, Felix Monti; Best Costume Design, Julio Suarez; Best New Actress, Maria Alche; Best Supporting Actress, Julieta Zylberberg; 2005.
External links
La nina santa at cinenacional.com .Need more information for your travel research or homework?
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This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article The Holy Girl
