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18-J
Topics: Argentine films
18-j (2004) is an Argentine docudrama. The motion picture is a collection of ten, ten-minute shorts, by ten Argentine directors.
July 18th, 1994 is the date when terrorists detonated a bomb-loaded SUV in front of the AMIA Building in Buenos Aires, killing 86 people and wounding over 300 others. The perpretators have never been caught.
AMIA is the Argentina-Israeli Mutual Association, a charity, and the attack is considered the largest single incident of terrorism against Jews since World War II.
The film is a tribute to the memory of the victims from the Argentine cinema community, producers and directors, and released on the ten-year anniversary of the attack. Each director portrays his or her memory and impressions of July the 18th in their own way. The ten short films are shown in a sequence. The picture was co-produced by the INCAA (Instituto Nacional de Cine y Artes Audiovisuales) and ten of the most active Argentine producers.
The film opens with a brief introduction by Argentine actor Norma Aleandro.
Background
Because the picture involved numerous explosions it was shot on an Argentine Army base.
The short-films capture Argentine life at several social levels, both Jewish and non-Jewish. The ten directors use a variety of cinematic styles: the sentimental, hard-hitting, and the abstract.
As important, the filmmakers emphasize the universality of the tragedy.
Distribution
The film opened in Argentina on August 19, 2004. In Brazil it opened October 4, 2004, at the Rio de Janeiro International Film Festival.
The film has been screened at various film festivals, including: the Palm Beach Jewish Film Festival, Palm Beach, Florida; the Washington Jewish Film Festival, Washington DC, USA; the Haifa International Film Festival, Haifa, Israel; the San Francisco Jewish Film Festival, San Francisco; the Hong Kong Jewish Film Festival, Hong Kong; the Boston Jewish Film Festival, Boston; and others.
Production companies
Each of the following Argentine film production companies chose one director for the film: Raices del Cine article, by Carlos Winston Albertoni.
BD Cine (Daniel Burman)
Audiovisual Production Center from the University of Tres de Febrero (Adrian Caetano)
Cinetauro (Lucia Cedron)
Patagonik Film Group (Alejandro Doria)
Zarlek Producciones (Alberto Lecchi)
Kaos (Marcelo Schapces)
Guacamole Films (Carlos Sorin)
Aleph Media (Juan Bautista Stagnaro)
Pol-Ka (Adrian Suar)
Cinema Digital (Mauricio Wainrot)
Ten shorts
(1) 86
Synopsis: The pain of the victims showing the effects of a bomb on objects: flowers, books, a birthday cake; as recalled by a blinded man.
Directed by: Israel Adrian Caetano
Written by: Roberto Gispert
Editing: Israel Adrian Caetano
Cinematography: Julian Apezteguia
(2) La Memoria
aka The Memory
Synopsis: A minimalist homage of pain of the victims: headshots of the victims to the accompaniment of a Handel aria.
Directed by: Carlos Sorin
Written by:
Editing: Alejandro Alem, Alejandro Parysow
Cinematography: Hugo Colace
(3) Untitled
Synopsis: Revolves around a delivery occurred in a Public Hospital on the same day of the attack in the Once neighborhood, where the attack took place.
Directed by: Daniel Burman
Written by: Daniel Burman
Editing: Alejandro Brodersohn
Cinematography: Alejandro Giuliani
(4) La Llamada
aka The Call
Synopsis: Set in Quebrada de Humahuaca, a village far from Buenos Aires, a woman experiences anguish. Her son lives in Buenos Aires and she is desperately waiting to hear from him.
Directed by: Alberto Lecchi
Written by: Santiago Giralt
Editing: Alejandro Alem
Cinematography: Hugo Colace
(5) La verguenza
aka Shame
Synopsis: A survivor of the attack, Ana, revives her memories while preparing in her mind the testimony she will present in Court. Also covers the political cover-up following the bombing.
Directed by: Alejandro Doria
Written by: Alejandro Doria and Aida Bortnik
Editing: Sergio Zottola
Cinematography: Willi Behnisch
(6) Mitzvah
Synopsis: Centered on an elderly Jewish couple as they prepare for a bar mitzvah. Their daughter lives in Israel and they plan to visit her soon.
Directed by: Lucia Cedron
Written by: Victoria Galardi
Editing: Rosario Suarez
Cinematography: Jose Luis Garcia
(7) La comedia divina
aka The Divine Comedy
Synopsis: The pain of the victims.
Directed by: Juan Bautista Stagnaro
Written by: Juan Bautista Stagnaro
Editing: Alejandro Alem
Cinematography: Andres Mazzon
(8) Lacrimosa
aka The Tearful
Synopsis: In purely artistic fashion four dancers from the San Martin Theater perform.
Directed by: Mauricio Wainrot
Written by: Carlos Gallardo and Mauricio Wainrot
Editing: Marcela Saenz
Cinematography: Abel Penalba
(9) La ira de Dios
aka The Wrath of God
Synopsis: The pain of the victims.
Directed by: Marcelo Schapces
Written by: Paula Romero Levit and Pablo Fidalgo
Editing: Miguel Schverdfinger
Cinematography: Jose Guerra
(10) Sorprensa
aka Surprise
Synopsis: The pain of the victims, and shows the arbitrariness of terrorism in selecting its victims.
Directed by: Adrian Suar
Written by: Josefina Trotta, Sebastian Noejovich, Lucia Victoria Roux, Maria Laura Meradi, Francisco Sanchez Azcarate, Damian Fraticelli and Mariano Vera
Editing: Alejandro Alem, Alejandro Parysow
Cinematography: Miguel Abal
Critical reception
Jonathan Holland, film critic for Variety magazine, liked the various stories and how they provide a "perceptive overview of Argenina's society. He wrote, wrote, "This worthy and affecting homage features styles from abstract to hard-hitting. Political fest sidebars are the pic's likeliest destination, along with arthouses in territories with a cultural interest in the tragedy...As a byproduct, pic reps an often perceptive overview of Argentine life at several social levels. Though many of the dead were Jewish, most helmers have significantly emphasized the universality of the tragedy rather than focusing on Jewish victimization." Holland, Jonathan. Variety, October 30, 2005. Last accessed: December 18, 2007.
External links
18-j at the cinenacional.com .
18-j film review at Cineismo by Silvina Rival .
This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article 18-J
