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Chimu culture
For the organization (state) of the Chimu culture, see: Chimor
The Chimu were the residents of Chimor with its capital at the city of Chan Chan, a large adobe city, in the Moche valley of Trujillo, Peru. The Inca ruler Tupac Inca Yupanqui led the campaign which conquered just fifty years before the arrival of the Spanish in the region. Spanish chroniclers were able to record accounts of Chimu culture from individuals who had lived before the Inca conquest. Archaeological evidence suggest that Chimor grew out of the remnants of the Moche culture; early Chimu pottery had some resemblance to Moche pottery. Their ceramics are all black and their metalwork is very detailed and intricate.
The Chimu were also known for worshiping the moon, unlike the Inca who worshiped the sun. The Chimu viewed the sun as a destroyer. This is likely due to the harshness of the sun in the desert environment they lived in.
The Chimu are best known for their distinctive monochromatic pottery and fine metal working of copper, gold, silver, bronze, and tumbago (copper and gold). The pottery is often in the shape of a creature, or has a human figure sitting or standing on a cuboid bottle. The shiny black finish of most Chimu pottery is not achieved by using glazes, but instead is achieved by firing the pottery at high temperatures in a closed kiln which prevents oxygen from reacting with the clay.
In William S. Burroughs' novel Queer, while the protagonist is visiting Guayaquil, Ecuador, he refers to the city as "the area of the ancient Chimu pottery, where salt shakers and water pitchers were nameless obscenities: two men on all fours engaged in sodomy formed the handle for the top of a kitchen pot." There are, in fact, several examples of Chimu pottery depicting homosexual acts.
External links
Beloit Museum's Chimu Artefacts
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This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article Chimu culture
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