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Vallenato, along with cumbia, is currently a popular folk music of Colombia. It primarily comes from the Colombia's Caribbean region. Vallenato literally means "born in the valley". The valley influencing this name is located between the Sierra Nevada de Santa Marta and the Serrania de Perija in northeast Colombia. The name also applies to the people from the city where this genre originated: Valledupar (from the place named Valle de Upar - "Valley of Upar"). In 2006 Vallenato and cumbia were added as a category in the Latin Grammy Awards.


This form of music originated from farmers who, keeping a tradition of Spanish minstrels (Juglares in Spanish), mixed also with the West African-inherited tradition of griots (African version of juglar), who used to travel through the region with their cattle in search of pastures or to sell them in cattle fairs. Because they traveled from town to town and the region lacked rapid communications, these farmers served as bearers of news for families living in other towns or villages. Their only form of entertainment during these trips was singing and playing guitars or indigenous gaita flutes, known as kuisis in the Kogi language, and their form of transmitting their news was by singing their messages.

The first form of vallenato was played with gaita flutes, guacharaca, and caja, and later adopted other instruments like guitars. These troubadors were later influenced by Europe's instruments: piano and accordion. Shocked with the sound from the accordion, troubadors probably obtained later on accordions from Aruba and Curacao. Vallenato was considered music of the lower class and farmers, but gradually started penetrating through every social group during the mid-20th century.

Don Clemente Quintero—a prominent member from the region's elite—was a lover of this music, usually accompanied by liquor, was a form of entertainment for this almost isolated region. He then decided to start a parranda (party) inside the very strict Valledupar Social Club with friends. This triggered an acceptance for the music and it became a regular feature at parties, carnivals and reunions, not for dancing, but for listening to these juglares stories .

Alfonso Lopez Michelsen, a prominent Colombian politician, showed interest in the region as his ancestors and wife were born there. While a Senator, he pushed for the creation of the Department of Cesar and became, in 1966, its first governor. Once in office and together with writer and reporter Consuelo Araujo Noguera and vallenato composer Rafael Escalona, they created the Vallenato Legend Festival.

During one of the early versions of this festival, Daniel Samper, an influent cachaco (denomination given in northern Colombia to people from Bogota) journalist, started dancing vallenato with his wife. Such practice was not common and generally not accepted by local vallenato followers, but later it became a tradition that spread to parties, concerts, and nightclubs . Today, Colombians commonly dance along to vallenato, and newer compositions have become more rhythmical and hence more suitable for it.


Its three traditional instruments are:

the caja vallenata: a small drum held between the knees and played with bare hands. It was used by the African slaves brought by the Europeans. Similar to a tambora drum.

the guacharaca: a wooden, ribbed stick similar to a sugar cane, accompanied by a fork that when rubbed together emits a scraping sound. It's about 18 inches long and one inch in diameter. It was used by the Indians to imitate the song of the guacharaco, a bird from the region, to hunt and perform dancing rituals.

the accordion: three-line button, German-origin accordion. It has 3 reed per note and it comes in different tones, ADG, GCF, BbEbAb "5 Letras". Accordions in Colombia and Panama sometimes have custom made tones especially made for Vallenato and Cumbia

The four rhythms

Vallenato consists of four beats or "airs" that are differentiated through their rhythmic structure and the melody chord structure the accordionist gives it. These are son, paseo, merengue, and puya. The son and the paseo have a 2/4 time and the merengue and the puya a 6/8 time.

Son is played with heavy accentuation and cadence stressed on the low notes of the accordion on its left hand side. It's normally mournful and slow.

Paseo is thought to be an off-shoot of the son. Its speed can vary and today is the most widely recorded air.

'''''Puya's'''main difference from the merengueis the length of its lyrics. In the last 40 years, accordion players have begun to play it faster, and each of the three instruments used in vallenatohas a solo. It is considered the oldest of the four "airs," with roots in an ancient Indian dance of the Sierra Nevada de Santa Marta.

Merengue is often confused with a Dominican genre with the same name, probably brought by related African tribal groups. It has a more narrative style and was often used to play decimas, a 10-line format with internal rhymes brought by the Spanish in the 16th century.


Piqueria is a battle among singers similar to the essence of Rap music, usually accompanied by the rhythm of instruments.

Vallenato Festivals

The Vallenato Legend Festival: Every year by the end of April, in the city of Valledupar, the Festival de la Leyenda Vallenata(Vallenato Legend Festival) is celebrated. During the festival a contest takes place in which the best vallenatointerpreters fight for the title of Rey Vallenato'' (Vallenato accordion King), "verseadores", new song composers, "guacharaqueros" and "cajeros" are also awarded within three categories; professional, aficionado and infant. The festival also includes record industry's orchestras shows.

'''Accordions' Cradle Festival:''' (Festival cuna de acordeones) This festival is celebrated every year since 1979, in Valledupar's neighboring town of Villanueva, in La Guajira. The Festival is similar to the Vallenato Legend Festival format, but also includes a category for the elderly accordion players over sixty years old.

Other Vallenato festivals:

Nationally: Vallenato Festival in Bogota;

Vallenato composers, singers and juglares

Thanks to the Vallenato Legend Festival this musical genre became known through the region including regions of Venezuela, and when a popular telenovela, "Escalona", based on the life of Vallenato composer, Rafael Escalona was aired on national television (with vallenato superstar Carlos Vives as Escalona), Vallenato became widely known in Colombia and internationally. Some renowned traditional vallenato performers are Guillermo Buitrago, Alejo Duran, Enrique Diaz, Emiliano Zuleta, Luis Enrique Martinez, Abel Antonio Villa and Lorenzo Morales. Other important characters such as Tobias Enrique Pumarejo and Rafael Escalona never played any instrument, but were important writers of very well known songs across Latin America. Other well-known Colombian musicians who sing vallenatos are Diomedes Diaz, Jorge Onate, Ivan Villazon, Nicolas "Colacho" Mendoza (accordion player and composer), Juan Humberto "Juancho" Rois (accordion player and composer), Omar Geles (accordion player and composer), Israel Romero, Peter Manjarrez, Silvestre Dangond and Lisandro Meza among others.

The current ambassador of the genre is multiple-time Grammy Award-winner Carlos Vives, who has progressively helped vallenato gain popularity worldwide by combining traditional vallenato music with pop/rock music, subgenre that has come to be known as "vallenato-pop".

Vallenato musical orchestras and groups

The traditional vallenato developed into a more orchestra type of musical group. Through out the years, some groups started adding instruments and a group chorus to support the main singer, popularly and sarcasticly known as "ay omberos". With these changes. Some of the instruments added or used by some orchestras were: the bass guitar, the congas drums, a Timbal set, drum kit, maracas, guache, electric piano, spanish guitars, tambourine, cowbell, electric guitar, Saxophone, piano accordion, violins, among others. These groups also started fusioning local genres to the vallenato, usually with cumbia, porro sabanero, gaitas (group of gaita flute interpreters), merecumbe and joropo. Some groups seeking a wider audience started mixing vallenato with other international genres, like salsa, merengue, rock, classical music, reggae, reggaeton, ranchera, techno music, house music. Some of these mixes didn't become very popular because of its awkward sound.

La Nueva Ola (The New Wave)

La Nueva Ola refers to the new generation of Vallenato groups and orchestras that have created a distinctive sound for themselves while keeping some of the essence of their predecessors. Kaleth Morales is considered leading artist of this young wave of vallenato musical groups, even after his sudden death in a car accident on August 24, 2005.

now the leader is Silvestre Dangond, who won 5 awards in Premios Nuestra Tierra(2009).

Some renowned vallenato orchestras

Diomedes Diaz

Los Hermanos Zuleta

Ivan Villazon

Beto Zabaleta

Jorge Onate

Alfredo Gutierrez

Binomio de Oro de America

Los Diablitos del Vallenato

Carlos Vives y la provincia

Silvestre Dangond & Juancho De la Espriella

Peter Manjarres

Jorge Celedon & Jimmy Zambrano

Lisandro Meza

See also

Music of Colombia

Vallenato Legend Festival

Carlos Vives



External links

Vallenato Legend Festival website

Vallenato - music

Vallenata at Smithsonian Folkways Recordings

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This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article Vallenato

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