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Music of Bolivia
Out of all the Andean countries Bolivia remains perhaps the most culturally linked to the indigenous peoples. Like most of its neighbors, Bolivia was long dominated by Spain and its attendant culture. Even after independence, Bolivian music was largely based on European forms. In 1952, a revolution established nationalistic reformeds granting three wishes, cultural and political awareness for the Aymara and Quechua natives. Intellectuals in the country began wearing ponchos and otherwise associating themselves with native cultures, and the new government promoted native folklore by, among other methods, establishing a folklore department in the Bolivian Ministry of Education.
Awareness of native music, spirituality and art continued into the 1960s. In 1965, Edgar 'Yayo' Jofre formed a quartet called Los Jairas in La Paz. With Bolivian folk music gaining popularity throughout the country, Jofre, along with Alfredo Dominguez, Ernesto Cavour Julio Godoy, and Gilbert Favre used traditional music in modified forms to appeal to urban-dwellers and Europeans. Later groups like Wara, Khanata, Paja Brava, Savia Andina, and especially Los K'jarkas helped further refine this fusion. Following a close but different path, groups and singers like Luzmila Carpio, Ruphay, and Grupo Aymara started touring abroad and gained international praise for their compositions, tunes that have brought indigenous Bolivian culture and history to the world's attention.
Los K'jarkas consists of three brothers, the Hermosas, who play primarily Huayno or, more rarely, Sayas. These are both dance music influenced both by native forms as well as African music imported to Bolivia with slavery. Los K'jarkas are known internationally for their Caporales classic "Llorando se fue", which was adopted and transformed to the popular beginning of the lambada dance craze of the 1980s, along with forro and carimbo in northern Brazil. The song was popularized by a French group, resulting in a successful lawsuit from the Hermosa brothers.
In the 1980s, Chilean nueva cancion was imported to Bolivia and changed into canto nuevo, which was popularized by performers like Emma Junaro.
Traditional Bolivian (and other South American) musical instruments include the charango, charangon, ronroco, hualaycho, zampona, quena, bombo, huancara, reco reco, chiapya box, pinquillo, tarka, toyos, moseno, pututu, Andean saxophone, and sheep hooves formed into a kind of shaker, as well as European musical instruments such as the violin and guitar.
Musical forms such as the Huayno, Bailecito, Kullawada, Tonada , and Cueca are prominently featured in Bolivia's cultural music.
External links
Bolivian Music and Web Varieties
idd00ilh.eresmas.net, List of Bolivian musicians with links
Music from the Andes and Nearby Regions
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This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article Music of Bolivia
